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Date : 2011-05-17

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Antonionis Blow up Philippe Garner 9783869300238  ~ Michelangelo Antonionis 1966 film BlowUp is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image Photography plays a key role at the very core of the film providing the metaphorical site for the directors questioning of the relationship between reality and perceptions
Blowup  Wikipedia ~ Blowup sometimes styled as Blowup or Blow Up is a 1966 mystery thriller film directed by Michelangelo Antonioni and produced by Carlo Ponti It was Antonionis first entirely Englishlanguage film and stars David Hemmings as a London fashion photographer who believes he has unwittingly captured a murder on film
BlowUp 1966  IMDb ~ Antonionis BlowUp was the biggest hit of the Italian directors career the superficial elements of the fashion world Swinging London and orgies on purple paper ensuring its commercial success
Artbrain » » Antonioni’s Blow Up And The Chiasmus Of Memory ~ The conventional wisdom on Michelangelo Antonioni’s BlowUp is that it questions the possibility of perceiving “reality” nonreflectively that active signification semiotic interpretation and conceptual meaningproduction necessarily interject between the perceiving subject and the perceived object
The Mysteries of Antonioni’s “BlowUp” a HalfCentury On  ~ The Mysteries of Antonioni’s “BlowUp” a HalfCentury On The great Italian directors legendary portrait of existential unease in Swinging Sixties London returns to the screen by Bilge Ebiri
BlowUp Movie Analysis Michelangelo Antonioni Great  ~ Made in Great Britain in 1966 the flatout great BlowUp in the  BlowUp was Michelangelo Antonioni’s first Englishlanguage effort
‘BlowUp’ The Importance and Influence of Michelangelo  ~ Michelangelo Antonioni’s 1966 film BlowUp is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image Photography plays a key role at the very core of the film providing the metaphorical site for the directors questioning of the relationship between reality and perceptions
Antonioni’s BlowUp 1966 is a new favorite of mine  ~ BlowUp takes Antonioni’s style of “show rarely tell” to new heights and it amazed me How he can communicate such profound ideas with so little use of the spoken word is uniquely cinematic I’m curious to research it more but Antonioni has to be making a statement on his own artistic career through BlowUp right
Blowing Up The Photographs Scene from BlowUp ~ A section of Antonionis 1966 film BlowUp that shows Thomas finding what he thinks is evidence regarding a possible attempted murder Uploaded for a Finite Focus post at